Emblems

Images and the lines that go with them.

A man alone at a laptop in an endless dark grid of desks, a small lit institution on the distant horizon

I found out what they bill for me on a Tuesday, by accident, off a spreadsheet somebody left open. Four times what I take home. I waited all afternoon to feel robbed, which is at least a clean feeling, and it never came. What came was worse: if I had done nothing that day, the invoice would have gone out the same. The gap between my wage and my price isn't theft. It's a rounding error.

A steelworker knows what he made. He can put a hand on it. I make files. Files on a server in a county I'll never visit, sentences chopped into packets and shot under an ocean, reassembled by a protocol with no opinion on the words, arriving as a document somebody opens for ninety seconds and forwards. The file becomes a number, the number pays the mortgage. The man who poured that slab could find it in the dark. I couldn't tell you where last quarter's work is stored, or whether it still exists, and in three years nobody has asked.

A lit institution on the horizon casting a dark stream down into an endless field of newspaper buildings

The building is always on the horizon and always lit, and the men inside it discovered that a country busy examining itself will never once look up.

A pristine institution on a hill draining a dark stream down into a city where people wait in line

It was the neatest theft in the republic's history: they took class, which is a thing you can count, and swapped it for identity, which is a thing you can only confess, and then charged tuition for the confessional.